The cycle of plague, isolation, despair, and return is nothing new to human history. In this short music film, a small US/Canadian ensemble performs six intimate English songs from a time when the flight from extravagant court to melancholy solitude came to define the most poetic of sensibilities.

A musical and movie score...

Armed with their own camera, modern dance power-couple Bobbi Jene Smith and Or Schraiber set about documenting their intimate daily lives in a new genre of “Musical” style documentary.

Mixing improvised choreography driven by their immediate emotions with the relentless, never-stopping rolling of the camera, the two created an abundance of scenes reflecting the many aspects of a relationship full of multitudes. A life full of beginnings and endings coexisting in us all.

Following the video for "Earth Odyssey", Director/Editor Adi Halfin’s vision for this video was another creative solution for a period where it is virtually impossible to create international collaborations due to the restrictions as a result of the global pandemic.

After many ideas for the video were put down due to the inability to bring dancers and film crew together. She decided to go with the flow and have the dancers film themselves. Mixing their dance into a documentation of their personal life. In the end - this actually proved to be an advantage and allowed a more intimate and close-up view of the couple’s lives.

Earth Odyssey was made by dancers from different continents filming themselves in their confinement with their personal phones and computers.

It was made in the first week of April 2020 while almost 2 billion people around the globe were unable to move freely due to the restrictions imposed in an attempt to prevent the spread of the CoronaVirus.

2 in a Million (Director’s Cut) is J.A. Moreno’s personal take on the official music video he directed for twice- Grammy-nominated DJ/Producer Steve Aoki, multi-award winning musician Sting, and platinum-selling trio SHAED.

The video follows two dancers in one long shot, as they relay the feeling of falling in love and being soulmates. Filmed in just thirty minutes at the end of the official shoot, Moreno’s cut focuses on the dancers, seen only as silhouettes in the official version, and highlights their outstanding technical skills and chemistry.

Using the original choreography as a basis, Moreno’s direction delivers a spontaneous, raw and emotionally engaging performance.