Nick tries desperately to have one more real moment with his father Jim who suffers from Alzheimer disease. But he fears he might have run out of time. This film explores the struggles of being a sole carer, grieving and the use of music to bring someone back.

As rising sea levels loom across the coast of Wales, a father and son clash over the future of their failing caravan park.

A cab's journey shifts pace when Claire and Hannah discover a bag neither of them had noticed when they climbed in. They are shocked to find out what is inside the bag and argue about what to do with it, anxious to keep their find a secret from the driver.

One person's struggle for authenticity in the dating world.

BABY BOY is an adrenaline fuelled dark drama following a sexually repressed London black cab driver, who abandons his wife and children when he relapses in drug addiction and descends into a wild weekend of crack cocaine, robbery and violence with his young queer lover. The film explores addiction, sexuality and masculinity against the backdrop of modern day London.

Out on a rural country road, a woman encounters a mysterious man stranded with a stalled vehicle, possessing a hard guitar case. However, much to her surprise, he knows nothing about music or where he is going. Is the man saying who he really is?

The Cliff is a comedy-drama that satirizes stereotypes of the UK’s countries and uses allegory to explore the pressure of Brexit on its union. It follows an eclectic group of friends (one Scottish, one Welsh, one Northern Irish and two English) and their European friends as they navigate the twists and turns of their relationships. In this pilot episode, the group takes a vote that pushes them literally to the edge of a cliff.

A young couple, Nia and Siôn find themselves speaking to the police about a rape. They come to realise that the line you should never cross is the one you can never come back from.

After waking up in a stranger's apartment, a man begins wandering through lost memories, reluctantly remembering a part of his past he tried to forget.

OWAIN (40s), a grieving tenant farmer, must save his ancestral home from development into soulless holiday homes. Early in the short, Owain is confronted by his landlord and the man who purchased the farm who exclaims they will return with the police if Owain fails to vacate the property by morning. Owain returns to his bedroom, immersed in a childhood memory of his father comforting him with a story steeped in Welsh mythology, that of the red dragon. Desperate and running out of time, Owain enacts a ritual, asking for the dragons' support. Moving into the morning, Owain takes his last stand, defiant and tragic. During his final moments Owain sees the dragon from his father’s stories, a sign of hope.